Canadian film goes full frontal in Toronto
Movies: #TIFF18, The Toronto International Film Festival
This year’s lineup of Canadian film at TIFF represents more than a handful of familiar faces, it’s a coming-of-age moment for the whole industry.
TIFF 2018: The top 10 movies to watch for this fall
Movies: #TIFF18, Toronto International Film Festival
On his 25th anniversary of covering the Toronto film festival, a critic decides he is ready for the quieter side of cinema.
By Jay Stone
(September 5, 2018) - I’ve been going to the Toronto film festival for 25 years, which means I’ve seen maybe 1,000 movies there, interviewed almost as many celebrities, and enjoyed so many all-you-eat shrimp buffets that I believe my liver is now breaded. I’ve sat in hundreds of darkened cinemas and endured millions of feet of film — back when film had feet; hell, back when there was film at all — filtered through modern sound systems that seem to assault your eardrums directly through your eyeholes. When people ask me what I’m looking forward to this year, I tell them I would be grateful to return with the shreds of my hearing intact.
I think it’s a pretty good answer too, given that most of the time I didn’t hear the question.
But you want to know about the films. ...
Canadian women bound for Palm Springs
Movies: Palm Springs International Film Festival
The partnership between Palm Springs and Telefilm continues to push the Canadian film cause in influential U.S. circles, with female directors taking centre stage
By The Ex-Press
(December 22, 2016) — A delegation of strong Canadian women will be heading to Palm Springs in the new year, showcasing work that touches on everything from Kenyan marathon runners to resource extraction and First Nations issues in the North.
Anjali Nayar’s Gun Runners, Nettie Wild’s Koneline, Anne Émond’s Nelly and Chloé Robichaud’s Pays were selected to screen at this year’s Palm Springs International Film Festival, joining Zacharias Kunuk’s Maliglutit, Xavier Dolan’s Juste la fin du monde and Juan Andrés Arango’s X Quinientos as part of this year’s seven-film Canadian delegation, one of the strongest in recent years.
“With a diverse mix of Canadian features—including works from emerging talent and an Indigenous pioneer, ...
Just the end of the world another soap on steroids
Movie review: Juste la fin du monde
The latest effort from Canadian wunderkind Xavier Dolan plays to the auteur's favourite themes: moms, gay sons and simmering family dramas that will not be denied - or else!
Xavier the Great crushes Cannes skeptics
News: Xavier Dolan wins Grand Prix, Ecumenical Prize at Cannes 2016
Quebec's golden boy picks up second-highest honour at Cannes, but his quest for the coveted golden palm continues, as does his battle with critics
By Katherine Monk
He didn’t win the Palme D’Or, but Xavier Dolan’s double win at this year’s Cannes Film Festival marks the best performance by a Canadian on the Croisette since Atom Egoyan scored a triple with The Sweet Hereafter back in 1997.
Dolan won the Grand Prix and the Ecumenical Prize for his latest film Juste la fin du mode (It’s Only the End of the World), a drama that follows a writer with a terminal illness on his final journey home. Based on the stage play by the late Jean-Luc Lagarce, It’s Only the End of the World is Dolan’s sixth feature, and fifth title to be invited to France’s red carpet extravaganza.
“Dolan’s two latest awards at Cannes are renewed recognition of his immense talent, of course, but also of the determined ...