Bringing up Babies: Top Ten movies of 2016
Movies: Top Ten 2016
Some say Donald Trump won the Presidency playing to childish insecurity and name-calling, but the annual box-office derby also proved a public appetite for adolescent entertainments. Film Critic Katherine Monk breaks down the top-ten money earners, and offers her own take on the year's best.
By Katherine Monk (Published Jan. 2, 2017) The political arena wasn’t the only place where childhood behaviours prevailed in 2016. Movie theatres also played to our apparent desire for less-sophisticated, over-simplified entertainments. It was the year the Mouse House roared: The Walt Disney Company was responsible for five of the year’s top ten earners worldwide, for a record haul of $4.829 billion - just a little under half the cumulative worldwide gross of $11.3 billion. Disney raced to the pinnacle of a relatively static box-office heap with titles that included the top-earning Captain America: Civil War ($1.153B), Finding Dory ($1.027B), Zootopia ($1.023B), The ...
Whit Stillman loves powerful women
Interview: Whit Stillman on Love & Friendship
The American filmmaker creates a fine comic weave using Jane Austen's material, Kate Beckinsale's sharp talents and his unique sense and sensibility for social satire
By Katherine Monk
“I really enjoy dominant, manipulative women. I find them very entertaining,” says Whit Stillman, his tone so matter-of-fact, it almost makes you laugh. Then again, that’s his charm. The director of Metropolitan, Barcelona and The Last Days of Disco built a reputation as a cunning social satirist in the ‘90s for plucking the veil off human vanity to show us the pimples of truth. He also showed a preference for using powerful, insightful and somewhat self-absorbed females as the dainty hand behind his narrative tatting. It’s the reason why his latest endeavor, Love & Friendship, feels like such a natural stitch in Stillman’s oeuvre: It’s based on the work of Jane Austen, the godmother of social satire, a pioneer of female ...
