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Movies: #TIFF18, The Toronto International Film Festival
This year’s lineup of Canadian film at TIFF represents more than a handful of familiar faces, it’s a coming-of-age moment for the whole industry.
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Interview: David Bezmozgis on Natasha
The Toronto-based writer-director grew up in a community of Russian Jews who left the Soviet Union, but decades later he says the "Russian immigrant experience" has become more difficult to define -- yet far more interesting to explore through drama
By Katherine Monk
The “immigrant experience” is a phrase that’s been getting a lot of media mileage in the wake of Syria’s collapse and continuing mass displacement due to climate change, but as a phrase, it’s generic.
It assumes all immigrants share a similar reality: a sense of exile and limited expression until assimilation takes hold. Toronto author and filmmaker David Bezmozgis thinks the North American “immigrant community” deserves better than a broad label between quotation marks, so he wrote a short story called Natasha, originally published in Harper’s before appearing in a bound collection in 2004.
A Lolita-like yarn about a sexy young Russian girl who moves ...
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Born 1948, Toronto
Few Canadians have simultaneously inspired as much awe, admiration, skepticism, sycophancy and disgust as Garth Drabinsky -- the high-flying entrepreneur behind the joystick of such dazzling, daredevil crashes as Cineplex and Livent. Love him or hate him, you have to hand it to the man for not only building an empire from the ground up, but doing it twice -- if not more (surely, the man will make another return to the limelight he loves so much) -- and flying the Maple Leaf in the face of star-spangled suits at every turn.
On paper, Drabinsky created the two the largest entertainment companies this country has ever seen, only to lose them both to American interests. Determined to play the same game of self-creation cemented into American consciousness via Hollywood’s marketing of the “American Dream” -- to the point where he even took it upon himself to produce the American classic, E.L. Doctorow’s Ragtime, on Broadway-- Drabinsky ...
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The Economist recently rated Canada's biggest city the best place on Earth to live, but it's not all that… even if it does have the CN Tower, whose mere presence subconsciously makes this page look more official just by stretching its long concrete column high into the sky. At The Ex-Press, we may be in awe of Toronto's smoggy swagger, but we came up with a few reasons to take a forensic look at The Economist's reckoning. We've titled the liabilities on our balance sheet...
TEN REASONS WHY TORONTO SUCKS
1. It's not a goal until Toronto looks at the replay.
2. That big tower thing seems to be overcompensating for something.
3. People dress off the mannequin.
4. It's all about money. (No doubt accounting for The Economist's ranking.)
5. They think they represent the rest of English Canada…. and we have no say, because they own us all.
6. It smells bad.
7. You have to drink in a private club to be considered cool.
8. They can't laugh at themselve...