Patricia Clarkson 3 results

At TIFF 2018, it’s all about the music

Movies: #TIFF18, Toronto International Film Festival The soundtrack of movies can leave you with the exhilaration of the dance floor, or bring you down into the existential angst of neo-noir By Jay Stone (September 8, 2018) TORONTO — There was a great moment at the movies this morning, near the end of Gloria Bell, Sebastian Lelio’s English-language remake of his own 2013 drama Gloria. Julianne Moore, replacing Chilean actress Paulina Garcia in the original, stars as a 50ish divorcee — are they still called that? — who has a productive but somewhat lonely life that she spices up by going to dance clubs and letting herself get lost in the candy sounds of disco. A romance with a divorced man (John Turturro), who seems not quite totally divorced, disrupts her balance, but in the final scene, we see Moore back on the dance floor, raising her arms and swaying from side to side as Laura Branigan sings the old hit Gloria. You can sometimes forget the importance of music in ...

At #TIFF18, it’s all about the music

Movies: #TIFF18, Toronto International Film Festival The soundtrack of movies can leave you with the exhilaration of the dance floor, or bring you down into the existential angst of neo-noir By Jay Stone (September 8, 2018) TORONTO — There was a great moment at the movies this morning, near the end of Gloria Bell, Sebastian Lelio’s English-language remake of his own 2013 drama Gloria. Julianne Moore, replacing Chilean actress Paulina Garcia in the original, stars as a 50ish divorcee — are they still called that? — who has a productive but somewhat lonely life that she spices up by going to dance clubs and letting herself get lost in the candy sounds of disco. A romance with a divorced man (John Turturro), who seems not quite totally divorced, disrupts her balance, but in the final scene, we see Moore back on the dance floor, raising her arms and swaying from side to side as Laura Branigan sings the old hit Gloria. You can sometimes forget the importance of music in movies, ...

Patricia Clarkson takes the wheel

The veteran of stage and screen buckles up for a bumpy ride in Learning to Drive, a new film that puts the pedal to the metal of marriage breakdown with surprisingly comic results thanks to co-star Sir Ben Kingsley, and the gentle hand of director Isabel Coixet By Katherine Monk TORONTO – There’s something undeniably regal about Patricia Clarkson, even when she’s vomiting into a toilet and playing an entirely unlaced woman of letters. It’s an underlying strength that inhabits every bone in her sinewy body, and you can feel it in her relaxed presence.   She’s a woman who is comfortable in her own skin, and it shines through every freckle.   “I was fed perseverance as a child,” she says. “I have a very strong mother, and strong parents who were loving and gave me the confidence and ability to survive.”   Clarkson says she had to rely on that deep well of self-possession when she started Learning to Drive. A new film directed by ...