Pet Sematary resurrects the fear of fur
Movie review: Pet Sematary
Stephen King’s classic gets a horror makeover that keeps asking the same unholy question: How far would we go to bring back a dead loved one?
Hotel Mumbai opens ornate doors on an unholy nightmare
Movie review: Hotel Mumbai
The 2008 terrorist attacks in Mumbai resulted in the deaths of more than 170 people. Yet, until director Anthony Maras decided to dramatize the event in what proves a breathless two hours, the full dimensions of the tragedy never seemed to hit home.
Five Feet Apart: Teen love tropes and a cruel twist of phage
Movie review: Five Feet Apart
Haley Lu Richardson and Cole Sprouse play cystic fibrosis patients forced to stay at a safe distance, yet ultimately sacrifice everything to satisfy their breathless love. It’s a run-of-the-mill millennial teen romance, but proves the next generation isn’t living in denial when it comes to death.
Captain Marvel captures essence of #MeToo moment
Movie Review: Captain Marvel
Brie Larson proves to be exactly what we need right now: A powerful woman who not only questions the status quo, but is willing to abandon the dominant culture in pursuit of personal liberation.
Ruben Brandt, Collector forges an artsy, cinematic self-consciousness
Movie Review: Ruben Brandt: Collector
Packed with masterworks from fine art and movie history, Slovenian filmmaker Milorad Krstic’s animated heist story features a psychotherapist suffering from night terrors and a gang of oddball patients. It’s colourful and kinetic, but is it art, or an exercise in self-conceit?
Alita: Battle Angel embodies modern socialist ideal
Movie Review - Alita: Battle Angel
James Cameron and Robert Rodriguez pull off some careful reprogramming of a Japanese animé heroine by pitting her superior cyborg parts against human selfishness in a post-apocalyptic wasteland.
Isn’t It Romantic? feels like a rhetorical question
Movie review: Isn’t It Romantic?
Rebel Wilson leads a revolutionary effort through the red taffeta jungle of rom-coms, but fails to topple the upper tier of icing-covered couple expectations. And that’s probably just the way we want it. “Somewhere deep down, we crave a fairy tale ending for a relatable character — just as we do for ourselves,” writes movie critic Katherine Monk.