Katherine Monk 144 results

Sharkwater Extinction: Resurrecting a son on-screen

Movies: Sharkwater Extinction Shattered by their son Rob’s death in a diving accident, Sandy and Brian Stewart found inspiration in his message and turned pain into positive action by completing the film he died trying to make. By Katherine Monk VANCOUVER — “There was no way this movie was not going to be made.” The very statement is an act of defiant optimism in a world where the majority of endeavours fail to even reach production, let alone completion. For Brian and Sandy Stewart, however, defiant optimism was the very essence of their son’s message, which is why they dedicated the last 20 months of their heartbroken lives bringing Sharkwater Extinction to fruition. The movie isn’t just a tribute to their late son, Rob, 37, who died in a diving accident off the Florida Keys in January 2017. “It’s the continuation of his mission,” says Brian Stewart, sitting with his wife Sandy on the eve of Sharkwater Extinction’s western premiere at the Vancouver ...
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22 July offers timely reminder of old horror, fresh fears

Movie Review: 22 July - New on Netflix Paul Greengrass’s restrained vérité treatment of the July 22 massacre at a Norwegian kids camp lassos truth of tragedy by showing us the banal face of evil and the chilling effect of fear.

Still time to VIFF and get avay from it all

Movies:  #VIFF18 The Vancouver International Film Festival enters final stretch with enough twists and turns to recalibrate your personal GPS

Juliet, Naked strips romance down to nagging self-doubt

Movie review: Juliet, Naked Director Jesse Peretz brings alt-rock authenticity to Nick Hornby’s story of a singer-songwriter who fell off the map, only to be rediscovered by the long-suffering partner of an obsessive fan. Ethan Hawke and Chris O’Dowd offer pure performance, but it’s Rose Byrne’s quiet navigation of personal desire that redeems the ego-fest.

The Meh-g: A mouthful of half-digested cliche

Movie Review: The Meg Jason Statham proves bite-proof in a regurgitation of Jaws that sinks all the way to the bottom in a bid to go bigger
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Leave No Trace Gets Lost on Purpose

Movie Review: Leave No Trace Ben Foster and Thomasin Harcourt McKenzie take on the weight of a father and daughter looking for a place to call home in world that wavers between ambivalence and hostility.
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Shailene Woodley’s Hazel Gaze Gives Adrift Direction

Movie Review: Adrift Director Baltasar Kormákur hoists his mariner's knowledge and fills his narrative sails with believable dangers in this unfathomable survival tale based on the true story of Tami Oldham.  

Ron Howard Plays It Safe With Solo

Movie Review: Solo: A Star Wars Story The backstory for the biggest risk-taker in the Star Wars franchise plays it perfectly safe, meaning Solo gets home in one piece -- riding on decades’ worth of character collateral.

Eisha Marjara Finally Feels Like She Belongs

Interview: Eisha Marjara Venus is a new transgender comedy that finds new curves thanks to the veteran director’s elusive quest for belonging, and an internalized sense of misogyny that helped her understand the negative effects of gender dysphoria.  

Stephen Campanelli: The Indian Horse Whisperer

Interview: Stephen Campanelli, Forrest Goodluck and AJ Kapashesit on Indian Horse He spent more than two decades in Los Angeles lensing Clint Eastwood’s Oscar winners. Now Montreal-born Stephen Campanelli is back on home turf, taking on Canada’s ugly legacy of residential schools with his big-picture take on Richard Wagamese’s Indian Horse.