Movie Reviews 320 results

Jay Stone and Katherine Monk. Definitive reviews. Trusted critics.

2.5Score

Blockers Misses Tackle in Gender War

Movie Review: Blockers Veteran writer and producer Kay Cannon makes her directorial debut with this raunchy comedy about three young women hoping to lose their virginity on prom night, and the parents who want to stop them. It’s a female-first R-rated comedy. Too bad it’s using an old game plan.
4Score

Movie review: Phantom Thread wears well

Movie Review: Phantom Thread In what might be his final movie, Daniel Day-Lewis fully inhabits another of his difficult characters, this time a fashion designer who demands praise and silence.
5Score

Black Panther Pounces on Prejudice

Movie Review: Black Panther Hollywood dons its first pair of progressive lenses with Ryan Coogler's fiercely entertaining rewrite of superhero stereotype that helps correct old vision problems
4Score

In the Fade Rubs Out Boundaries of Moral Behaviour

Movie Review: In the Fade Diane Kruger won best acting honours at Cannes for good reason: her performance as a grieving mother and widow in the wake of a terrorist attack takes us from a noble quest for justice to the cellar of revenge
3Score

Movie review: Happy End is Haneke at his most elusive

Movie review: Happy End The story of an unhappy French family follows the director's usual pattern of dysfunction and brutal motives, but there's not much to keep us watching

Bening Becomes Legend in Film Stars Don’t Die in Liverpool

Movie review: Film Stars Don’t Die in Liverpool Annette Bening pours pathos into a champagne glass as Gloria Grahame in Paul McGuigan’s moody portrait of the feminine mystique and its martyrdom at the grabby hands of Hollywood Film Stars Don’t Die in Liverpool 4/5 Starring: Annette Bening, Jamie Bell, Julie Walters, Vanessa Redgrave, Kenneth Cranham Directed by: Paul McGuigan Running time: 1 hr 45 mins Rating: Restricted By Katherine Monk She had a starring role in It’s a Wonderful Life, but Gloria Grahame had anything but. As one of the leading femme fatales of the 20th century, Grahame was a prisoner of her pin-up image, sentenced to the shadows of sexually charged parts in an era that regarded a woman’s libido as a moral liability. Sexuality was her ticket to the gleaming world of Golden Age Hollywood, but in Paul McGuigan’s emotionally detailed portrait based on Peter Turner’s memoir, we can see how her biggest gift also became her biggest ...
3Score

The Post Delivers Big Message Minus Emotional Stamp

Movie review: The Post Tom Hanks and Meryl Streep play second fiddle to a 7,000-page stack of paper and an old Xerox machine in Steven Spielberg's well-intentioned history lesson about lying Presidents

Small Wins, Big Tanks: Top Ten Movies of 2017

Movies: Top Ten Films of 2017 Film critic Katherine Monk looks back on a year without frontrunners or favourites, making 2017’s top choices a truly personal matter with I, Tonya, Icarus and Wonder Woman landing on the podium, and plenty of other worthy contenders in the race. By Katherine Monk It seems the President and Harvey Weinstein eclipsed the klieg lights of the entertainment world: There is no artistic standout, nor crowd-pleasing frontrunner in the race for this year’s movie laurels as the recent Golden Globe ceremony proved. The five major awards were handed out to four films. No Moonlight. No Lala Land. Not even a Hidden Figures. The year 2017 will be remembered for the last-minute resuscitation at the box-office thanks to Star Wars’s enduring shock paddles, pulling a loser year into so-so territory in the home stretch with more than half a billion in receipts for The Last Jedi. Nonetheless, revenues were down 2.7 per cent ($11 billion US) over ...
4Score

I, Tonya Has Triple Axel to Grind

Movie review: I, Tonya Margot Robbie goes for the gold as disgraced figure skater Tonya Harding in Craig Gillespie's dazzling ode to dysfunction that captures the early daze of reality-based entertainment
3Score

Kate Winslet Spares Woody’s Wonder Wheel

Movie review: Wonder Wheel Woody Allen's direction is just plain wooden as he hands the dramatic tray to Kate Winslet, forcing her to serve up a bland meatloaf formed from F. Scott Fitzgerald scraps and Tennessee Williams's vulnerable female gristle