Screwing up his courage for The Second Time Around
People: Leon Marr
Talking about sex and the seniors' residence with the director of The Second Time Around, a new movie that tackles taboo and takes us into the boudoir with tenderness, patience and operatic ambition
By Katherine Monk
(April 3, 3017) -- The Centers for Disease Control declared April STD awareness month, which means there’s no better time for the release of The Second Time Around. It’s a new feature film by Leon Marr after a decades-long hiatus, and while it’s not about sexually transmitted disease – at all – it does focus on a demographic with an increasing transmission rate: senior citizens.
The CDC suggests the aging baby boomers are making the most out of their senior years, if the steady rise in syphilis cases among those over 65 is any indication: between 2007 and 2011, researchers noted a rise of 52 per cent.
Part of it has to do with taboos surrounding sex in the golden years. It’s not something society talks about all that often ...
The wide river of Gordon Pinsent’s dreams
Movie Review: The River of My Dreams
Documentary about the Canadian actor captures much of his impish charm, but it leaves many questions unanswered about what really makes him tick
La La Land is where love and art tangle
Movie review: La La Land
This musical love letter to the movie business, jazz and romance is an intoxicating throwback to the days of dancing among the stars and singing your heart out in the hopes of making it
Canadian women bound for Palm Springs
Movies: Palm Springs International Film Festival
The partnership between Palm Springs and Telefilm continues to push the Canadian film cause in influential U.S. circles, with female directors taking centre stage
By The Ex-Press
(December 22, 2016) — A delegation of strong Canadian women will be heading to Palm Springs in the new year, showcasing work that touches on everything from Kenyan marathon runners to resource extraction and First Nations issues in the North.
Anjali Nayar’s Gun Runners, Nettie Wild’s Koneline, Anne Émond’s Nelly and Chloé Robichaud’s Pays were selected to screen at this year’s Palm Springs International Film Festival, joining Zacharias Kunuk’s Maliglutit, Xavier Dolan’s Juste la fin du monde and Juan Andrés Arango’s X Quinientos as part of this year’s seven-film Canadian delegation, one of the strongest in recent years.
“With a diverse mix of Canadian features—including works from emerging talent and an Indigenous pioneer, ...
Tatiana Maslany, Tom Cullen fire up first-timer
Interview: Joey Klein on The Other Half
In a world full of malaise, misanthropy and unmitigated sorrow, first-time filmmaker Joey Klein says he wants to hold up a funhouse mirror to ambient pain
By Katherine Monk
(November 30, 2016) Joey Klein is what you’d call a ‘late bloomer.’
When he was a kid growing up in Montreal, he assumed he’d become a doctor like his father. He ended up in McGill management school instead, and hated it. So he headed to New York City at the age of 25 to study acting, a career he pursued with success, landing roles in American Gangster and 12 Monkeys -- to name a few.
Yet, he craved a bigger challenge still. He had a hankering to address the ambient angst of modern experience – without exploiting Hollywood trope – so he started writing. And now, just a year shy of his 40th birthday, he's making his directorial debut with the theatrical release of The Other Half.
“Originally, it was a story about grief… and about grief over time. ...
Arrival proves mind-altering
Movie review: Arrival
Denis Villeneuve's latest may look like a simple first-contact story, but it goes much deeper as it questions the linear nature of time and the role of language
Life, death and Andrew Huculiak
People: Interview with Andrew Huculiak
Getting metaphysical with the first-time director of Violent means dipping a big toe into the cold, dark waters of existentialism and cozying up with Kierkegaard
By Katherine Monk
(October 19, 2016) VANCOUVER – A gentle drizzle falls outside, and the faint smell of woolly dampness mingles with the scent of fresh pie. It’s a typical fall day in Vancouver -- wet, dark, and cool -- the perfect backdrop for an interview with Andrew Huculiak.
Huculiak is the director behind Violent, easily one of the best first features in Canadian film history, but up until now, it was also one of the most difficult to access.
Shot two years ago in Norway with a unilingual Norwegian cast, Violent was invited to Cannes, picked up top prizes at The Vancouver International Film Festival and was shortlisted as Canada’s best foreign film Oscar submission. By all accounts and measures, it should have hit theatres nationwide.
Yet, it’s only now, two years later ...
Violent finds eerie beauty in the abyss
Movie review: Violent
Andrew Huculiak's debut feature is a stunning mediation on the meaning of life that owes as much to Alfred Hitchcock as it does to Terrence Malick in its bid to open our eyes to existence
An okay film, Unless you read the book
Movie review: Unless
This disappointing film adaptation of Carol Shields' final novel turns a meditation on who we are into a melodramatic puzzle with a conventional solution