Deadpool reanimates comic book form
Movie review: Deadpool
Ryan Reynolds's physical skills and comic timing prove unbeatable as he takes on the role of a nihilist antihero in Deadpool, a self-conscious wink to Spandex form that would have been unwatchable without him
Konelïne drills deep into the dark heart of colonialism
Movies: Available Light Film Festival
Veteran documentary filmmaker Nettie Wild heads North to explore a motherlode of ugly conflict unfolding against a backdrop of pristine beauty in her latest film, Konelïne: Our Land Beautiful
By Katherine Monk
WHITEHORSE, YUKON — “We didn’t want it. We still don’t want it. But it was a done deal when they called us to the table.” Tahltan elder Lillian Moyer was speaking about a transmission line along the once-scenic Highway 37 in Canada’s Yukon, but the comments she uttered at the premiere of Nettie Wild’s latest documentary, Konelïne - Our land Beautiful, seem applicable to just about every situation that pits traditional First Nations’ values against the continuing colonial reality. From resource extraction in pristine wildlife habitats in the North to condos and casinos on traditional lands in the South, Canada’s colonial history clearly didn’t end with when Europeans left the garrison. It continues to claim ...
The Revenant is raw tension
Movie review: The Revenant
Leonardo DiCaprio undergoes a horrendous series of trials — including that famous bear attack — in Alejandro G. Inarritu's masterful tale of survival
Mississippi Grind percolates
Movie review: Mississippi Grind
The team behind Half Nelson and Sugar return with a film about chronic gambling that isn't as depressing as it probably should be, thanks to a pair of pocket kings in Ryan Reynolds and Ben Mendelsohn
Wim Wenders finds warmth in Canadian winter
People: Wim Wenders
The German filmmaker says he used stereoscopic 3D technology in Every Thing Will Be Fine, his latest art film about grief and loss, in a bid to bring depth to Quebec's unique landscape
By Katherine Monk
TORONTO – His voice sounds like something straight out of a fairy tale: a soft German accent bending over vowels with a delicate arc and a deep warm tone that seems to echo through hand-milled timber. Even his name, Wim Wenders, feels like a plucky character from a Grimm plot, so the fact that this German auteur has transformed the stark hues and blinding skies of the Canadian landscape into a cozy microcosm feels strangely natural. Every Thing Will Be Fine is Wenders’s 46th film, but it marks a series of firsts: It’s his first film in Canada, his first shoot in winter, and the first time any auteur has used 3D technology in the heady pursuit of an art film. Wenders always thought the technology was used poorly – a point he proved in ...
Every Thing Will Be Fine, not great
Movie Review: Every Thing Will Be Fine
German filmmaker Wim Wenders turns the Canadian landscape into a snow globe with 3D technology, and a cast that includes Rachel McAdams, Marie-Josée Croze and the near-omnipresent James Franco
Searching for the legacy of Al Purdy
When film critic Brian D. Johnson retired, he became a filmmaker himself. His first project: a documentary about the difficult, brilliant (and strangely forgotten) Canadian poet
By Jay Stone
TORONTO — “You can argue whether he was our greatest poet, but certainly he was our most Canadian poet. No one wrote about the land the way that he did. If the Group of Seven was a bar band, they might sound like Al Purdy.” It’s a warm September afternoon and Brian D. Johnson is sitting at an outdoor table at a coffee place he likes near the Toronto International Film Festival. He’s in the sun, hatless, and there is sweat on his forehead. Furthermore, people keep stopping to interrupt us because Johnson is a pretty popular guy in the film festival district, and also because, at this year’s festival, he’s a bit of a celebrity. He was the film critic for Maclean’s magazine for 28 years. Now, at 66, he has retired (“I’ve had a career. I’m looking for the sweeter ...
Movie review: Remember a moving drama
Atom Egoyan's new movie Remember — about an aging Holocaust survivor plotting revenge — is a moving and surprising feat of storytelling, and featuring a great performance
You can vote on climate films
Young filmmakers from around the world enter festival of short movies about the environment shot on mobile devices
By Jay Stone
There’s a film from France in which a man in horror mask chops down a tree — but it’s really a young girl. There’s an Indian movie that illustrates the coming crisis by showing the hands of a person paying more and more money for smaller and smaller bottles of water, until, a few decades from now, there’s none left. There’s a British film about a man who becomes so irritated by the “mad prophet” of climate change that he kills him, only to discover that he has in fact killed the very air he breathes. They’re all part of the Mobile Film Festival, a competition that challenged young filmmakers from around the world to make one-minute movies about climate change on their mobile devices. The organizers received 765 movies from 70 countries, and winnowed them down to 75 finalists. It’s an official event of COP21, the Paris conference ...
