Anthropocene: The Human Epoch-alypse
Movie review - Anthropocene: The Human Epoch
Baichwal, Burtynsky and de Pencier are back with another gorgeously lensed documentary that almost comes too close to redeeming human ugliness through photographic acts of beauty.
Here Comes A Regular: A Photographic Archive of The Railway Club
Ex-Press Salon: The Railway Club Regulars
Natasha Moric tended bar at Vancouver's Railway Club for more than 20 years, in the days before selfies and Instagram, but she took her camera to work and captured the regulars -- in their comfort zone without filters
By Katherine Monk
VANCOUVER, BC — Shakespeare said truth was best found at the bottom of a wine cup, which is why bar life has always attracted the artistic eye.
Jan Steen created a tradition with his paintings of rosy-cheeked drunkards in the 1600s, followed centuries later by Van Gogh and the Impressionists. Then photography came along and allowed what French writer Pierre Mac Orlan described as the ability “to capture the fantastic forms of life which require at least a second’s immobility to be perceptible.”
In the world of street photography, these glimmering moments of truth come to us a flashes in the darkness: a frozen moment of euphoria on the dancefloor, the desperation of a lurid glance near closing ...