Eisha Marjara Finally Feels Like She Belongs
Interview: Eisha Marjara
Venus is a new transgender comedy that finds new curves thanks to the veteran director’s elusive quest for belonging, and an internalized sense of misogyny that helped her understand the negative effects of gender dysphoria.
Happy National Canadian Film Day! Yes. We Have One.
News: National Canadian Film Day
Once stunted by an icy carapace of quiet self-loathing and back-stabbing bickering, our love for Canadian cinema is beginning to blossom every spring with screenings across the country, and the world, in the budding celebration called National Canadian Film Day -- which celebrates its fifth year today with more than 850 events and a focus on female filmmakers.
Stephen Campanelli: The Indian Horse Whisperer
Interview: Stephen Campanelli, Forrest Goodluck and AJ Kapashesit on Indian Horse
He spent more than two decades in Los Angeles lensing Clint Eastwood’s Oscar winners. Now Montreal-born Stephen Campanelli is back on home turf, taking on Canada’s ugly legacy of residential schools with his big-picture take on Richard Wagamese’s Indian Horse.
Blockers Misses Tackle in Gender War
Movie Review: Blockers
Veteran writer and producer Kay Cannon makes her directorial debut with this raunchy comedy about three young women hoping to lose their virginity on prom night, and the parents who want to stop them. It’s a female-first R-rated comedy. Too bad it’s using an old game plan.
Linnea Dick Reconciles Modern Demons and her Father’s Monsters
Interview: Linnea Dick - Meet Beau Dick: Maker of Monsters
A new documentary and a retrospective of Beau Dick's work mark the anniversary of his passing, but for his daughter Linnea, the healing journey her father started is only just beginning. The 26-year-old has already battled addiction and depression, but she’s found a purpose in poetry, helping suicidal youth, and keeping her father’s legacy alive.
Welcome the Warrior Generation
Popular Culture: Generation Shift Hits the Fan – #marchforourlives
The March for Our Lives is a mission millennials have been training for their whole lives. Just look at the last 20 years of young adult fiction, says movie critic Katherine Monk. Whether it’s Harry Potter fighting the Ministry of Magic or Katniss Everdeen overthrowing President Snow, the next generation grew up with deeply moral role models who courageously confronted power.
“If desperate times call for desperate measures, then I am free to act as desperately as I wish.”
– Katniss Everdeen in Suzanne Collins’s The Hunger Games
By Katherine Monk
They were expecting under half a million, but by the time the last bus emptied onto the mall in D.C. last Saturday morning, “The March for Our Lives” to end gun violence racked up more numbers than the Million Man March in 1995, and the 1963 protest led by Martin Luther King Jr -- making it the largest march in the capital’s history.
Mina Shum Gets Her Freaky Friday On
Interview: Mina Shum
The Vancouver filmmaker always wanted to make a movie about how she and her mother are so different, and in her new movie Meditation Park, she reunites with Sandra Oh to make it happen.
By Katherine Monk
VANCOUVER — Mina Shum says she’s trying to be “a good Chinese daughter.” After a greeting at the door of the hotel suite, she ushers me to a seat, and checks to make sure the publicist is comfortable. The place is all too generic for a talk about the particular. With its creamy white walls and bleached white linens, the hotel room overlooking Vancouver’s downtown skyline is all postcard pretty, displaying snow-capped mountains and green-patina copper rooftops. Shum says she loves every corner of this coastal town, but her new movie Meditation Park is looking at a different view of the city she calls home.
Set in the Eastside neighbourhood of Sunrise-Hastings, and focused on one family’s love-laden unravelling, Meditation Park stars Asian ...
Kathleen Hepburn Takes a Metaphorical Skinny Dip
Interview: Kathleen Hepburn
The first-time feature director went back to the family cabin in northern B.C. -- and deep into the wilderness of mother-child dynamics -- in Never Steady, Never Still